It’s compact at 2.85 x 3.27" and it weighs just 10.4 ounces. The Sony 28-70mm is an underrated mid-range zoom on a full-frame Sony body. 28-70mm is an excellent focal range for travel because it hits the sweet spot of moderately wide to slightly telephoto. Obviously they give you a range of focal lengths in a single lens which is great when you don’t want to be switching lenses. Zoom lenses can have some distinct advantages for travel. For $250, it’s hard to beat.” – The Phoblographer Sony FE 28-70mm f/3.5-5.6 OSS “Generally speaking in terms of nifty 50 lenses, you can’t really get much better here…It’s got great color output, is very sharp, very little chromatic aberration (and even then you’ve really got to look for it) and bokeh that isn’t bad overall. Even if you have a G Master Holy Trinity, adding this lens to your bag would give you a fast walk-around prime. And at a regular price of $249, it’s a flat out bargain. If you’re shooting with an α7R III or α7R II, you can use this lens in APS-C mode and have a 75mm f/1.8 at about an 18-megapixel resolution. It’s fast with an f/1.8 maximum aperture which is ideal for both low-light and limiting depth of field. The 50mm f/1.8 measures just 2 3/4 x 2 3/8" and it weighs just 6.6 ounces. The Sony 50mm f/1.8 is an excellent and highly underrated lens, particularly for travel. It’s a versatile focal length that yields great results for everything from portraits to architecture to landscapes which is why lenses in this class are often referred to as a “nifty 50”. ” – Abel Perez ( What distortion? The Sony FE 35mm ƒ/2.8 does very well at controlling distortion, on both full-frame and sub-frame cameras, such that, like we saw with chromatic aberration, it's practically undetectable…The Sony FE 35mm ƒ/2.8 ZA Zeiss Sonnar T* lens is another fantastic fast prime lens for Sony full-frame mirrorless E-mount cameras and gives shooters an excellent, general purpose wide-angle focal length perspective that's great for travel and street photography as well as portraits.” – Imaging-Resource Sony FE 50mm f/1.8Ī fast 50mm is one of the great walk-around lenses for any full frame shooter. At f/2.8, I also use the 35mm for shooting night photography and other low-light situations. “The 35mm f/2.8 is incredibly small and weighs nothing, making it ideal for street photography and spontaneous shooting. It focuses fast and at a regular price of $798, it won’t break the bank. On a Sony Alpha mirrorless body, some photographers comment that it feels almost like you’re using an old-school film rangefinder. When you want to be unobtrusive as a travel photographer, this lens is an ideal fit. It’s 2.42 x 1.44" and weighs a mere 4.2 ounces. The Sony 35mm f/2.8 is a unique 35mm in the line in that it’s almost a pancake lens that seems to fade into the camera body. It’s just a little wide of “normal” and tends to create a perspective that has a journalistic look. “I'm a huge fan of small light weight primes that can pack a punch! It's light in weight, sharp and very fast to focus.” - Stan Moniz stanmoniz) Sony FE 35mm f/2.8ģ5mm is the mainstay of photojournalists and street photographers everywhere. When I'm working in intimate situations the Sony α7-series cameras and this lens are a very small and discrete package." - Ira Block “The 28mm f/2 is a terrific lens for low light shooting, and it's nice and small. The Sony 28mm f/2 is multi-talented, fast 28mm that’s an ideal choice for any kind of travel and at $448 regular price it’s very budget-friendly. Its f/2 maximum aperture is faster than most 28mm lenses which gives it an edge in low-light situations. It measures 2.52 x 2.36" and weighs in at 7 ounces. The 28mm f/2 is both compact and lightweight. Photojournalists like National Geographic pro Ira Block rely on 28mm primes to capture the scene and sometimes even for portraits. Sony FE 28mm f/2Ī prime 28mm is ideal for creating a sense of place in your travel photography. Of course image quality is also critical, but when isn’t it? We’re spotlighting five Sony full frame lenses for exploring the world without breaking the bank. When you’re dialing in your camera gear for travel, size, weight and versatility-being able to do more with less-are key considerations.
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